A Separartion - Phenomenal Iranian Cinema


                                         If you are passionate about movies, then it's really bad to miss a movie like 'A Separation.' It serves as a quiet reminder of how good it’s possible for movies to be. Sophisticated and universal yet deeply intimate, A Separation is an delicately conceived family drama that has the power of a top-notch thriller.

Plot 
     Nader (Peyman Moaadi) and Simin (Leila Hatami) are a middle-class couple seeking a divorce. She wants to move abroad with their 11-year-old daughter, Termeh (Sarina Farhadi). Termeh wants to stay with her father. When Simin moves out to live with her parents, Nader hires a caretaker, Razieh (Sareh Bayat) to look after his father during the day. This devout young mother is soon overwhelmed by the task of attending to a man who can no longer speak, dress, or wash himself. One afternoon, for reasons that aren’t clear at first, she leaves the old man alone while she runs an errand. The consequences of that act—and of Nader’s outburst when he comes home to find his father unattended—will eventually spiral into personal and legal disaster for both families, Nader’s and Razieh’s. 
             I’ll leave it here, since one of A Separation’s great strengths is the way it gradually reveals the complicated half-truths and strategic evasions in each party’s version of the story. The truth becomes less and less clear-cut as the film goes on. 

Analysis 
           The ensemble cast—especially Maadi as the unemployed, short-tempered, ethically conflicted Nader—is extraordinary. As has become a tradition in Iranian cinema, the child characters are not just things but essential participants in the story, and both young actresses—Sarina Farhadi, the director’s daughter, as the wise Termeh and the caretaker’s daughter, a little girl—deliver impeccable naturalistic performances. This is great filmmaking: In Farsi, with English subtitles the film is brilliantly shot. Edited a largely conversational drama as riveting as a suspense thriller. Director Farhadi is a top-shelf international filmmaker, he relies heavily on the slightest, most graceful subtleties on the part of actors.
                     
                               What's fascinating is how the various issues—religious or practical—are played out in these two quite different families, yet always come down to unresolvable differences between rebellious women and their stiff-necked, controlling men. The viewer's sympathies are always engaged, though it's impossible to take sides. Everyone has their reasons, but not all reasons are equal. Just as we think we're identifying with one character, another will reveal new dimensions and our concerns shift. The director  keeps the emotional story believable, never straying into melodrama. The film ensures the audience, that they will be captivated and possibly haunted days afterward.

       A Separation is a landmark film. No way will you be able to get it out of your head.

Trailer :


 A Separation - Imdb

8 comments:

vinay said...

Looks good.
Will watch it for sure. :)

Sunil Deepak said...

It does seem to be a good film, I would like to see it. Thanks.

Meera Ganesh said...

I liked your review of this one. It makes me want to watch the movie, which, I guess, is the hallmark of a good reviewer. I also read a few of your other posts. I wonder if you have ever written a review about a movie you have absolutely hated. Would love to see how the analysis on that one reads.

Siva said...

yeah a very good Persian Movie. me too listed it top in one of my blogs.

Zach said...

Haven't seen it. But looks promising. Thank you for sharing :)

Veera said...

Interesting Review Arun ...

Director need to be daring to make such experimental works .. and make it Masterpiece

I will just add it to the top of my bucket list of Movies

Unknown said...

I will surely watch this! looks promising

Haricharan Pudipeddi said...

Excellent review Arun. And as rightly pointed out by you, people who love cinema should not miss this film come what may.