Most of us who has stood before a painting in an art museum might have passed a comment that ‘It’s beautiful’ or ‘it’s awesome’, hardly seeing the painstaking details etched inside the painting. Self-made Computer millionaire and inventor Tim Jenison is not that kind of a guy because he attempts to re-create 17th century Dutch painter Vermeer’s breathtaking painting using the same mirror technique. Comic magicians Penn & Teller has chronicled Tim’s fascinating obsession in the documentary “Tim’s Vermeer” (2013), which is about art history, technology, beauty and painting techniques. Four decades earlier Orson Welles made an illuminating documentary, “F for Fake” about authorship, forgery and art. “Tim’s Vermeer” speaks some of the same things, but unlike Orson Welles’s this documentary is fairly straightforward with no last minute surprises.
Johannes Vermmer (1632-1675) is a revered Dutch painter who
is famous for achieving photo-like realism in his paintings. Many art
historians claim that Vermeer used a camera like device (called ‘Camera
Obscura’) -- a topic that has fueled academic controversy for years. Bearded,
genial millionaire Tim Jenison is a computer graphics virtuoso. His wealth
gives him a lot of time to entertain various ambitions. After an in-depth study
of Vermeer he is obsessed with the question of ‘how the 17th-century Dutch
master might have gone about creating his photorealistic paintings?’ Painter
David Hockney and author Philip Steadman have alleged that Vermeer might have
used ‘camera obscura’ to translate the three-dimensional scene in his studio
into a two-dimensional image on a flat surface.
Tim Jenison embraces these theories and fixes up a big
ambition: to re-create Vermeer’s most fascinating and daunting work “The Music
Lesson” (painted in 1663). To achieve his quest, he also travels to Europe to
study Vermeer’s paintings, meets with art historians and was granted a
30-minute viewing by Queen Elizabeth II to see the original ‘Music Lesson.’ The
techie guy with zero painting skills painstakingly re-creates Vermeer’s studio
(in a warehouse in San Antonio), and fills the place with precise copies of the
furniture and artifacts. Then, he sets out to build the ‘camera obscura’,
eliminating some of that antique technology’s drawbacks. He also includes a
secondary tool –a small but ingenious mirror. For reproducing the painting
alone, right down to the costumes and the stained-glass windows, it takes him
nearly seven months
Directed by Teller and written, produced by Penn Jillette,
the documentary puts forth the question that ‘was Vermeer a geek or a genius?’ Although
the film showcases the magnificent obsession in 80 minutes took Jenison almost
2,000 days to come to reach his project’s conclusion. Many artists might get
because they might think that Jenison’s method debunks the mystique qualities
of Vermeer. But, “Tim’s Vermeer” isn’t about debunking the Dutch painter; it
rather enunciates that in this era of science and technology, there is nothing
wrong with an artist who uses every tool at his command in the service of
beauty. Even though Vermeer, at the end of documentary becomes a fathomable
genius, he is also alleged to be scientist as well as a resourceful creator
(considering the fact that Vermeer’s powerful compositions were not created by
an assortment of lenses).
The documentary also touches upon the theme of how art
brings a change inside the person. At the start of experiment, Tim Jenison was
playful and mildly eccentric, but as the process goes on, we find out
technologist getting emotional. The
presence of Vermeer’s art has changed him in an ineffable way. For those who
have never heard about ‘Vermeer’, “Tim’s Vermeer” showcases the compositional
brilliance of the master painter. At the same time, it refreshes the view of
those who have studied Vermeer, portraying him more as a modern artist than as
an Old Master.
Trailer
3 comments:
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Groobers
Interesting! Am baffled by the tech used in Vermeer's times! It must be an exciting documentary.
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